An acid jazz band that focuses more on jazz than groove-oriented dance music, the Greyboy Allstars came together in 1993 when noted rare-groove DJ Greyboy (aka Andreas Stevens) met up with Karl Denson, a saxophone player who was then touring with Lenny Kravitz. The pair collaborated on two tracks for Ubiquity Records' Home Cookin' compilation, and then worked on Greyboy's 1994 solo album for Ubiquity, Freestylin'.
The acid jazz outfit Groove Collective was formed in downtown New York City in 1990 by flutist Richard Worth, DJ Smash, and rapper Nappy G, all three staples of a nomadic dance club called Giant Step. In time, the trio was joined by keyboardist Itaal Shur, drummer Gengi Siraisi, and bassist Jonathan Maron, earning a growing cult following and eventually attracting the attention of Steely Dan vibist Bill Ware, who soon signed on along with saxophonist Jay Rodriguez, trombonist Josh Roseman, trumpeter Fabio Morgera, and percussionist Chris Theberge.
One of Iceland's longest-running and most eclectic electronic acts, GusGus' evolving sound and revolving lineup are anchored by singer / songwriter Daniel Ágúst Haraldsson and producer Birgir Þórarinsson.
Founded in 1973 by King Oliver's trombonist / blues singer Clyde Berhardt and jazz aficionado Al Vollmer, the Harlem Blues & Jazz Band has as its main concept to keep significant side-men of the Classic Jazz Period working and not forgotten. The continued quality of this group has caused the band to be declared a National Treasure and one of the most authentic Swing Bands playing today.
Having met on the London jamming scene of the late 80s, a hot bed of talent which was to produce much of the best funky action of the next few years, John Wallace and William South soon became firm friends and started to work on demos which would eventually lead, via a couple of low key singles, to their first album, Unchain Your Mind which was a worldwide hit on its release in 1994.
Herbie Hancock will always be one of the most revered and controversial figures in jazz — just as his employer/mentor Miles Davis was when he was alive. Unlike Miles, who pressed ahead relentlessly and never looked back until near the very end, Hancock has cut a zigzagging forward path, shuttling between almost every development in electronic and acoustic jazz and R&B over the last third of the 20th century.
The musicians provide for a broad spectrum of expression which makes everything possible: from subtle changes in tone colours to expressive solistic climaxes. The interweaving of musical arrangements creates space for musical flexibility during performances, making every concert an experience.
Japan has produced an impressive assemblage of jazz pianists, from Toshiko Akiyoshi and Makoto Ozone. And now, well into the change of the 21st century, the pianist / composer Hiromi is the latest in that line of amazing musicians.